In my last entry I talked about the inherent conflict of ideals highlighted by two classic works of literature—1984 and Dao De Jing—and what they say about the prospects for the West getting along with China.
I’d like to expand on that a little more by considering the two classic texts of Chinese strategy and diplomacy—The Romance of the Three Kingdoms and Sun Tzi’s Art of War, because their depth of creative duplicity makes The Prince read like How to Win Friends & Influence People.
The Romance of the Three Kingdoms is a long and rambling epic, but at its heart is the story of two generals, Liu Bei and his nemesis Cao Cao, in a quest for supremacy in the twilight of a dynasty. Liu Bei supposedly represents virtue and humility while Cao Cao represents opportunism and ambition. Liu Bei is forced into a leadership position to defend his emperor, and when his emperor dies his followers plead with him to resurrect a new empire. And, although Liu Bei at first refuses, circumstances and the determination of his followers force him to put on the crown.











